Sunday, October 23, 2011

Anthropology Blog #2


Anthropology Blog #2
Representing a Culture in Anthropology
                There are many different aspects that go into the correct form of representing a culture.  One must think about how the people in study want to be represented and not allow the film to fall into visual imperialism.  The film must represent the entire culture, so the anthropologist must, like Tim Asch said, know the culture and shoot everything so that the film accurately represents them and does not coincide with anyone’s agenda.  There are many different forms of representation to consider.  One way is by the particular, which is how N!ai: Story of a K!ung Woman is filmed.  The film N!ai was very informative and shot very well.  People learn about the K!ung culture from comparing N!ai, who is not the average K!ung woman.  No matter what the film maker does, there is always going to be bias because the film maker is putting their point of view and what they want to show in to the movie. 
                People’s bias’ show through no matter what because there is so much footage to go through that there is a certain representation for other people to learn about.  A good example of this is the movie The Cannibal Tours the maker of the movie had an agenda and it is clear that he wants to make the white people seem ignorant and show how the indigenous people were exploited. Tim Asch makes good points in his article that the anthropologist must know their subjects and film whole events.  Nobody should be misrepresented and the people being filmed should be able to see the video afterwards to make sure they are being represented in the correct way.  Also, filming the people while they are watching it makes for a good scene to get reactions and is revealing.  Even in the parts of Chronique d’un Ete that we watched there was the directors’ opinion in it and the fact that the directors were in the film gets their point across even more. The personality of the film makers comes out in the film in what they choose to edit out and how they choose to present the information that they have found. Film makers have to be wary of what they choose to edit out because the audience, if they have not learned about the culture they are watching, will believe it as fact and gain prejudices
The problem with film is that if the audience believes that movie is truth and that the cultures will never change.  It is like the culture is stuck in time and can never leave, unless the culture is revisited and explored again by a different set of eyes like Nanook Revisited.  The film Nanook Revisited was an effective film since it showed how the native people reacted to the first film.  It gave a look into how things are done now compared to the first Nanook which was reenacted in parts.  It shows how the culture still keeps the traditions alive, but in a semi modern way.   
Anthropologists need to be aware of the fact that they can be ethnocentric in the way that they are going to present the film, but the film maker can be aware of how much of their point of view is in it.  Like Kuehnast suggests film makers have the power of Visual Imperialism.  Film makers can make people feel a certain way about a group of people and sway their decision if the message is conveyed correctly.  
There are many different situations to consider while making a film. One main problem in ethnographic films is to make sure the culture is represented correctly and to make sure that the film makers’ bias’ are not easily seen.  But that is impossible unless there is no narration and it is just a film that watches the people go about their business.  

Sunday, October 9, 2011

blog post 1

    Blog Post #1
    Ethics are vital to any subject of study that research is done.  There have been many different scenarios that codes of ethics are vital for in visual anthropology.  The three articles that were read gave several guidelines to make sure any persons or animal subjects do not become exploited by the researcher on their quest for knowledge or the private or public sector that the anthropologist is working for.  The integrity of the person always comes first in any line of study whether it be genetic study or archaeology. 
    The Code of Ethics of the American Anthropological Association is a guideline for anthropologists so the persons or animals that they interact with during their studies do not get harmed or exploited in the pursuit for new knowledge.  The ethics code lays out advice so that all anthropologists can be on the same page on the standards of how people should be treated in relation to how important the research might seem to the researcher. The code of ethics is an effective tool for any anthropologist trying to make sure that the human or animal that they are studying is not misrepresented in any way shape or form, but it is always the anthropologists’ duty to assess the situation and maintain the subjects’ reputation the way that they want to be represented. The ethics code also deals with how teachers should represent the information and the responsibility to the people they are training or educating.  It is useful to have this section in a code of ethics because not only should the teacher be aware that there are moral and ethical lines that they should abide by, but the student or trainee should be alert to the different things that the mentor should and should not be imposing on them.  What is more important to have is the application section in the ethics code.  It shows a few situations that anthropologists should be aware of when anthropologists are dealing with employers and how to be aware of the hostilities that could arise for being an anthropologist. 
In the Visual Anthropology Review article, The State of Ethics In Visual Anthropology Sarah Perry and Jonathan S. Marion bring up important views of the visual ethics discussion meeting and how they have progressed.  Perry and Marion make a point to show that the ethics code in visual anthropology can be applied in other fields of anthropology.  In archaeology, even though the researchers use remains and the things that people throw away or just leave behind because it has no use for them, the researchers recreate the people that they are trying to study and either recreate them with a computer animation or by drawing and could exploit the descendants of the culture in study.  The ways the American Anthropological Association (AAA) and the Society for Visual Anthropology (SVA) have sorted out the problems in ethics of visual anthropology have been useful and the suggestions that Perry and Marion have made in the paper would be even more helpful.  Since there needs to be more information out on the ethics, Perry and Marion have suggested that there be on the AAA’s website they have the ethics code and links to any other discussion about the ethics code to find more information about it or if a researcher has a question about their subject of study they can ask other people and see what they can do.  It is beneficial for anthropologists to get together and further the progress of the science of humanities and fixing the wrongs that could happen so they will not happen.
The code of research ethics was created because people needed help with some of the problems they faced while doing their research and to aid the students who are just learning to do research in the field.  In the International Visual Sociology Association (IVSA) Code of Research Ethics and Guidelines has five general principles and ethical standards for a researcher to abide by so they will not endanger another human.  The principles are somewhat similar to The Code of Ethics by the American Anthropological Association.   A scientist needs to make sure the information is honest and that the people are represented honestly and fairly.  They also need to make sure that the people involved do not get harmed or will be harmed by what the researcher is doing.  Also, there must be informed consent and confidentiality that the person’s information will be held in secret unless they give the researcher the right to let it be public knowledge.  The IVSA’s Code of Research Ethics and Guidelines was similar to the Code of Ethics by the AAA, just a few differences in detail since it had to envelop a couple more subjects of study rather than just anthropology.
Some of the concerns that the film makers of the films we watched had were the unknown exploitation of the indigenous people in Margret Mead’s film.  In the documentary The Cannibal Tours, the director showed the exploitations, but all the while, he was exploiting their way of life and showed how poor some indigenous people are and the tourists lives by making them seem ignorant, oblivious, and not caring of how the indigenous people lived.  Even though the director of the documentary was trying to, and succeeding, on making a point, he made a point at the expense of the people he was filming.  The film was cut in a way that seemed to misrepresent both parties and it seemed like there was no viewing of the film by the people who were in it. 
Ethic codes are an important source for protecting humans and animals that scientists encounter while doing their studies and anthropology is no different.  It may be more important in anthropology since the whole community studies humans.  Scientists need to know the ethical boundaries that surround working with people or else harm or exploitation could arise from trying to gain as much knowledge as they can.  To an anthropologist the way a human or animal is treated should have more priority over what can be learned from the culture.  The anthropologist’s job is to make connections and make sure the way they are representing the culture they are studying is accurately portrayed.